création théâtrale "tes yeux se voilent"

Poésie, souvenir, tragédie, voilà le thème de ce spectacle. Trois histoires autour de la voiture: un enfant et ses jouets, un père et son bébé, des jeunes qui reviennent de boite.

Project visual création théâtrale "tes yeux se voilent"
Successful
15
Contributions
21/07/2011
End date
€630
Out of €500
126 %

création théâtrale "tes yeux se voilent"

<p> </p> <p><strong>Tes yeux se voilent </strong></p> <p><strong> </strong></p> <p><strong> </strong></p> <p><strong>D’après « 4 saisons » de Laurent Cazanave</strong></p> <p><strong>Texte Lauréat du CNT</strong></p> <p><strong> </strong></p> <p><strong>Mise en scène Laurent Cazanave (nominé aux Molières 2011 Jeune Talent masculin)</strong></p> <p><strong> </strong></p> <p><strong>Avec:</strong></p> <p><strong>Emmanuelle COUTELLIER</strong></p> <p><strong>Charles MEUNIER</strong></p> <p><strong>Michael POTHLICHET</strong></p> <p><strong>Alexandre VIRAPIN</strong></p> <p> </p> <p><img src="http://nsa19.casimages.com/img/2011/06/20/110620052709484224.jpg" alt="" width="491" height="694"></p> <p> </p> <p><em>Histoire </em></p> <p><em>Souvenirs d’un homme malade </em></p> <p><em>Plutôt Paroles d’un enfant</em></p> <p><em>Je suis un enfant</em></p> <p><em>Un souvenir d’enfant</em></p> <p><em>Un espace d’espèce</em></p> <p><em>Un espace de temps</em></p> <p><em>Un paysage de train</em></p> <p><em>Où chaque détail à son importance et sa place</em></p> <p><em>Traverse ma tête</em></p> <p><em>Mes pensées</em></p> <p><em>Un monde où les hommes n’ont pas de visage</em></p> <p><em>Ils disent des mots</em></p> <p><em>Silence trou de mot</em></p> <p><em>Silence trou de sensation indolore</em></p> <p><em>A l’œil nu</em></p> <p><em>Caractère gras </em></p> <p><em>Italique</em></p> <p><em>Hyper cut</em></p> <p><em>Autoroute de sentiment </em></p> <p><em>Immaturité sage</em></p> <p><em>Structure dorsale</em></p> <p><em>Poésie réelle</em></p> <p><em>Réalité poétique</em></p> <p><em>Réel imaginaire</em></p> <p><em>Imaginaire pénétrant</em></p> <p><em>Tableaux de sang </em></p> <p><em>De chair de pensée</em></p> <p><em>Intellect du souvenir</em></p> <p><em>Juste se rappeler</em></p> <p><em>106 Zen </em></p> <p><em>Premier regard sur le monde</em></p> <p><em>Perce le silence par le mot</em></p> <p><em>Perce le papier par le mot</em></p> <p><em>Compositeur de mot</em></p> <p><em>Déposés comme des notes</em></p> <p><em>Ecriture musicale</em></p> <p><em>Silence en note</em></p> <p><em>Note en silence</em></p> <p><em>Silence en mot </em></p> <p><em>Mot en pensée</em></p> <p><em>Pensée en chair</em></p> <p><em>Chair en sang</em></p> <p><em>Sang en mort</em></p> <p><em>Mort sans peur affrontée</em></p> <p><em>Regardée en face assumée transcendée</em></p> <p><em> </em></p> <p><em>Extrait de </em>« 3 ans après<em> » de Laurent CAZANAVE</em></p> <p> </p> <p><strong>Résumé :</strong></p> <p><strong><br></strong></p> <p>Une  voiture. Deux accidents. Le souvenir.</p> <p>Un espace clos, intime où se mêlent souvenirs pensées images. </p> <p>Deux histoires. Deux destins. Deux vies.</p> <p>Une petite fille et son père. Un jeune couple. Un enfant et ses jouets</p> <p>Tout tourne autour de la voiture. Cet habitacle de métal où se mélangent les rêves et les désirs de chacun. Chaque pensée est unique mais partagée par tous. La voiture, un lieu de sécurité, de bien être, un lieu pourtant si dangereux et si inquiétant quand on le regarde avec d’autres yeux. </p> <p> </p> <p><strong>L’écriture :</strong></p> <p><strong><br></strong></p> <p>C’est au cours d’un stage d’écriture animé par Roland Fichet dans le cadre de l’Ecole du TNB qu’est né ce projet. A partir d’un commande, et grâce à au vif soutien de Roland Fichet j’ai voulu pousser mon travail d’écriture, me servir de la page comme je me sers du plateau. <strong>Ecrire pour le plateau et pour les acteurs.</strong></p> <p><strong> </strong></p> <p>Ce travail d’écriture est vraiment tourné vers la tragédie, vers la question du tragique dans tout ce qu’elle peut avoir de quotidien. Les histoires se déroulent après le drame, après les larmes, après la souffrance et après les cris. Une fois que toutes ces sensations sont passées que reste-t-il ? Le souvenir, le choc. C’est ce côté là que je souhaite défendre et montrer. Dire et montrer ce qui d’habitude est caché. </p> <p> </p> <p>Le travail autour de la voiture était pour moi un choix évident car il représente à mes yeux un des objets les plus intimes de nos vies quotidiennes mais aussi un des plus dangereux. Il me permettait de travailler autant sur la solitude de chaque personnage que sur leurs liens affectifs et familiaux.</p> <p> </p> <p>On est dans une fable. 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*/ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} --></p> <p class="MsoNormal" style="text-align: justify;"><strong><span style="font-size: 14pt; line-height: 115%;">Laurent CAZANAVE</span></strong><span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></p> <p class="MsoNoSpacing"><strong><span style="text-decoration: underline;">Nomination aux Moli&egrave;res 2011-Jeune Talent Masculin</span></strong></p> <p class="MsoNoSpacing">&nbsp;</p> <p class="MsoNoSpacing"><strong><span style="text-decoration: underline;"><img style="display: block; margin-left: auto; margin-right: auto;" src="http://nsa20.casimages.com/img/2011/06/20/110620045707224859.jpg" alt="" /><br /></span></strong></p> <p class="MsoNoSpacing"><strong>&nbsp;</strong></p> <p class="MsoNormal" style="text-align: justify;">Il<span>&nbsp; </span>fait toutes ses &eacute;tudes &agrave; SEVRES (92) o&ugrave; il obtient son bac S en 2006. En 1993 il commence le th&eacute;&acirc;tre avec <strong>Karin CATALA </strong>et avec<strong> </strong><span>&nbsp;</span><strong>Les Enfants de la Com&eacute;die</strong> il participera &agrave; de nombreux spectacles <strong><span style="text-decoration: underline;">(&laquo;&nbsp;L&rsquo;Esprit de No&euml;l,&nbsp;&nbsp;&laquo;&nbsp;le petit Poucet&nbsp;&raquo;,&nbsp;&laquo;&nbsp;Chantecler</span></strong><span style="text-decoration: underline;">&nbsp;&raquo;, <strong>&laquo;&nbsp;Un voyage Extraordinaire</strong></span><strong>&nbsp;&raquo;</strong>&hellip;.) dans plusieurs th&eacute;&acirc;tres des Hauts de Seine. En 2004, <strong>il met lui m&ecirc;me en sc&egrave;ne</strong> une pi&egrave;ce co&eacute;crite avec S&eacute;bastien Robert <strong><span style="text-decoration: underline;">&laquo;&nbsp;7 jours avec un menteur&nbsp;&raquo;</span></strong><span style="text-decoration: underline;"> </span>qui sera jou&eacute; en 2005 au Festival des Enfants de la Com&eacute;die <span>&nbsp;</span>&agrave; S&egrave;vres. Pendant ce temps il d&eacute;couvre le th&eacute;&acirc;tre professionnel et joue avec <span>&nbsp;</span><strong>J. <span>&nbsp;</span>WEBER</strong> <strong>et F. Fabian</strong> <strong><span style="text-decoration: underline;">&laquo;&nbsp;Une journ&eacute;e particuli&egrave;re&nbsp;&raquo;</span></strong> en 1998 au Th&eacute;&acirc;tre de la Porte Saint Martin puis avec <strong>M. Leeb et F.Lemaire</strong>, <strong><span style="text-decoration: underline;">&laquo;&nbsp;Madame Doubtfire&nbsp;&raquo;</span></strong> entre 2001 et 2003 au Th&eacute;&acirc;tre de Paris puis en tourn&eacute;e en France et Europe. Il participe aussi &agrave; plusieurs t&eacute;l&eacute;films &agrave; la t&eacute;l&eacute;vision&nbsp;: &laquo;&nbsp;Louis la Brocante&nbsp;&raquo;, &laquo;&nbsp;Commissaire Moulin&nbsp;&raquo;, &laquo;&nbsp;Les Monos&nbsp;&raquo;&hellip;.et <strong><span style="text-decoration: underline;">&laquo;&nbsp;L&rsquo;Ile Atlantique&nbsp;&raquo;</span></strong> en 2005 r&eacute;alis&eacute; par <strong>G. Mordillat, </strong>et<span>&nbsp; </span>&agrave; quelques films<span>&nbsp; </span><strong><span style="text-decoration: underline;">&laquo;&nbsp;Le Fabuleux destin d&rsquo;Am&eacute;lie Poulin&nbsp;&raquo;</span></strong><span style="text-decoration: underline;">, <strong>&laquo;&nbsp;Paris je t&rsquo;aime</strong>&nbsp;&raquo;</span>, ainsi qu&rsquo;&agrave; divers clips et courts-m&eacute;trages&hellip;<span>&nbsp; </span>En 2006 admis &agrave; la <strong>Classe libre du Cours Florent et &agrave; l&rsquo;Ecole du TNB &agrave; Rennes</strong> il choisit le <strong>TNB</strong>. Au cours de ces trois ans il fait de nombreuses rencontres&nbsp;: <strong>S. Nordey, c R&eacute;gy, B. Meyssat, E. Didry, L. Touz&eacute;,<span>&nbsp;&nbsp; </span>B. Savetier, R. Herbin, M. J. Thomas, C. I. Cottenceau, M. Vayssi&egrave;re, S. Tranvouez, C. Esnay,<span>&nbsp;&nbsp; </span>A. Kouznetsov, C. Fiat, <span>&nbsp;&nbsp;</span>F. Bloch, L. Sauvage R. Fichet, N. Xerris L., I Buljan&hellip;.</strong> et <strong>r&eacute;alise la</strong> <strong>Mise en espace de <span style="text-decoration: underline;">&laquo;&nbsp;Dehors peste le chiffre noir&nbsp;&raquo;</span> </strong>de K. R&ouml;ggla. Il joue &eacute;galement <span>&nbsp;</span>&agrave; Rennes dans<strong><span>&nbsp; </span><span style="text-decoration: underline;">&laquo;&nbsp;La Nuit de Madame Lucienne&nbsp;&raquo;</span></strong><span style="text-decoration: underline;"> </span>de Copi mis en sc&egrave;ne par <strong>V. Fiaux</strong>, <strong><span style="text-decoration: underline;">&laquo;&nbsp;Les Mains d&rsquo;Edwidge au moment de la naissance&nbsp;&raquo;</span></strong> de W. Mouawad mis en sc&egrave;ne par<span>&nbsp; </span><span>&nbsp;</span><strong>N. Xerris L.. </strong>En &eacute;t&eacute; 2009 il participe &agrave;&nbsp;<strong><span style="text-decoration: underline;">&laquo;&nbsp;Sallinger&nbsp;&raquo;</span></strong> de Koltes mis en sc&egrave;ne <strong>d&rsquo;I. Buljan</strong> jou&eacute; &agrave; Rennes et en Croatie, Bosnie et Slov&eacute;nie. <span>&nbsp;</span>Il continue &agrave; participer aux activit&eacute;s des Enfants de la Com&eacute;die en encadrant les stages et en coachant les jeunes com&eacute;diens. Il participe avec eux au <strong>Festival de Rue d&rsquo;Aurillac en 2008</strong>. Il se lance dans <strong>l&rsquo;&eacute;criture</strong> et dans la <strong>composition</strong> en &eacute;crivant des chansons, des nouvelles et des formes th&eacute;&acirc;trales&nbsp;: &laquo;&nbsp;<strong>Quatre saisons&nbsp;&raquo;, &laquo;&nbsp;ferme les yeux et regarde</strong>&nbsp;&raquo;&hellip;&nbsp;Depuis sa sortie de l&rsquo;&eacute;cole fin Aout 2009, il a jou&eacute; dans <strong><span style="text-decoration: underline;">&laquo;&nbsp;399 secondes&nbsp;&raquo;</span></strong>&nbsp;&nbsp; de F Melquiot mis en sc&egrave;ne par <strong>S. Nordey</strong> &agrave; Rennes et au Th&eacute;&acirc;tre Ouvert &agrave; Paris, dans <strong><span style="text-decoration: underline;">&laquo;&nbsp;Tout doit dispara&icirc;tre&nbsp;&raquo;</span></strong> d&rsquo;E. Pessan mis en espace par <strong>J. C. Sa&iuml;s</strong> au th&eacute;&acirc;tre Ouvert &agrave; Paris et dans <strong><span style="text-decoration: underline;">&laquo;&nbsp;Anatomie 2010&nbsp;: Comment Toucher&nbsp;&raquo;</span></strong><span style="text-decoration: underline;"> </span>de R. Fichet mis en sc&egrave;ne par<span>&nbsp; </span><strong>R. Fichet</strong> &agrave; Rennes et au <span>&nbsp;</span>TEP &agrave; Paris. En Avril juin 2010<strong> il met en sc&egrave;ne et joue </strong>au SEL &agrave; SEVRES et &agrave; Boulogne <strong><span style="text-decoration: underline;">&laquo;&nbsp;Quatre Saisons&nbsp;: Chaleur enfantine&nbsp;&raquo;</span></strong> forme courte qu&rsquo;il a &eacute;crite. En juillet 2010 il participe au <strong>Festival d&rsquo;Avignon</strong> avec la Compagnie des Enfants de la Com&eacute;die, dans <span style="text-decoration: underline;">&laquo;&nbsp;<strong>Le Mariage Forc&eacute;&nbsp;&raquo;</strong></span> de Moli&egrave;re. Entre septembre 2010 et avril 2011 il joue sous <span>&nbsp;</span>la direction de<strong> Claude R&eacute;gy , <span style="text-decoration: underline;">&laquo;Brume de Dieu&raquo;</span> extrait de &laquo;Les Oiseaux&raquo; de Tarjei Vesaas </strong>au TNB &agrave; Rennes, &agrave; la M&eacute;nagerie de Verre &agrave; Paris puis en tourn&eacute;e. En Avril2011 il travaille &agrave; la mise en sc&egrave;ne de <strong>&laquo;</strong><span style="text-decoration: underline;">&nbsp;<strong>Tes Yeux se voilent&hellip;</strong></span><strong>&nbsp;&raquo;</strong> extrait de <strong>&laquo;&nbsp;4 saisons&nbsp;&raquo;</strong> texte qu&rsquo;il a &eacute;crit <span>&nbsp;</span>(Laur&eacute;at 2011 du CNT) et qui sera pr&eacute;sent&eacute; en juin 2011 &agrave; Boulogne Billancourt, en septembre octobre 2011 &agrave; Paris et &agrave; S&egrave;vres. En Mai 2011 il est Assistant metteur en sc&egrave;ne sur <strong><span style="text-decoration: underline;">&laquo;&nbsp;Dans la solitude des champs de coton&nbsp;</span>&raquo;</strong> de Kolt&egrave;s mis en sc&egrave;ne par <strong>Marie Laure Crochant</strong> &agrave; Nantes et en juillet 2011 sur <strong><span style="text-decoration: underline;">&laquo;&nbsp;Le Mariage Forc&eacute;&nbsp;&raquo;</span></strong> de Moli&egrave;re mis en sc&egrave;ne par <strong>Karin Catala</strong> &agrave; Avignon. De septembre 2011 &agrave; mai 2012 il reprendra<span>&nbsp; </span><strong>&laquo;&nbsp;<span style="text-decoration: underline;">Brume de Dieu&nbsp;</span>&raquo;</strong> &agrave; Paris et en tourn&eacute;e.</p>

Allocation of funds

<p>Nous sommes en train de monter cette pièce et devons <strong>financer les costumes</strong>, nous avons donc besoin de <strong>500 euros</strong>.</p> <p> </p> <p>Pour le moment nous avons le soutien :</p> <p>- du Centre national du théâtre: 3000 euros pour la location de la salle (le texte a été lauréat du dernier jury du CNT)</p> <p>- du défi jeune 92: 1000 euros pour les décors</p> <p>- de la bourse envie d'agir de la Ville de Sèvres: 400 euros pour le communication</p> <p>- de la prévention routière 800 euros pour  les frais divers</p>

Rewards

€1

Votre nom aux remerciements sur notre site.

€10

    Le livre de la pièce dédicacé + Votre nom aux remerciements sur notre site.

    €20

    • 4 contributions
    2 invitations pour le spectacle + Le livre de la pièce dédicacé + Votre nom aux remerciements sur notre site.

    €50

    • 2 contributions
    2 affiches + La liste des pièces et des films préférés des comédiens + 2 invitations pour le spectacle + Le livre de la pièce dédicacé + Votre nom aux remerciements sur notre site.

    €100

    participer à une séance de travail avec toute la troupe + 2 affiches + La liste des pièces et des films préférés des comédiens + 2 invitations pour le spectacle + Le livre de la pièce dédicacé + Votre nom aux remerciements sur notre site.

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