Featured reward
Acknowledgment on the credits of the film (your name and surname)
€5
A big thank you Thank you for your support Thank you for making this movie Thank you.
Estimated delivery: December 2019
ANVERS A L'ENVERS
A performance art film, fiction on a journey, a tragedy, a universal history, a return to the greedy past ... Participate in the project
Failed
Les ateliers Moyi-MwindaStrasbourg
5
Contributions
03/17/2019
End date
€210
Out of €5,000
4 %
ANVERS A L'ENVERS
<p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/565049/KISS1-1547771531.jpg" width="100%" /></p>
<p>Performance "Extract of Withdrawal", Africa Museum Tervuren, screenshot "Trial Movie Tracking". Mock-up film, December 2018 © Victor Schmitt</p>
<div class="k-ResponsiveIframeContainer"><iframe allow="autoplay; fullscreen" allowfullscreen="true" frameborder="0" height="293" scrolling="no" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fplayer.vimeo.com%2Fvideo%2F281070327%3Fapp_id%3D122963&dntp=1&url=https%3A%2F%2Fvimeo.com%2F281070327&image=https%3A%2F%2Fi.vimeocdn.com%2Fvideo%2F714726038_1280.jpg&key=8b7d8dd6504d41af9a77662672aabc2a&type=text%2Fhtml&schema=vimeo" width="500"></iframe></div>
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<div class="k-ResponsiveIframeContainer">Presentation of the artist</div>
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<div class="k-ResponsiveIframeContainer">Christian Botale works to create links between various fields of knowledge and thoughts of the North-South network. The architecture of the drama, the colonial traces, the emission and the reception of the current worlds. The study of instability and chaos. Christian Botale appropriates different forms of expressions and languages of life. It brings together techniques from experimental research and different mediums. He claims the actualization of inheritance transmitted by word of mouth by the South and the writings of the North. Every day, he gets up with an inexhaustible rage, to shout the aesthetic farce that runs through his organs. The modern world of machines, digital interpersonal, political, cultural, social and media feedback. It's about finding the source of my burns. To dialogue with the original practices, to bring back their substance in an electronic amplification.</div>
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<div class="k-ResponsiveIframeContainer"><strong>ART</strong></div>
<div class="k-ResponsiveIframeContainer"><a href="http://http://www.b-fies.it/2018_supercontinent2/christian_botale_molebo.html " target="_blank">http://http://www.b-fies.it/2018_supercontinent2/christian_botale_molebo.html </a></div>
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<div class="k-ResponsiveIframeContainer"><strong>PRESS</strong></div>
<div class="k-ResponsiveIframeContainer"><a href="https://www.poly.fr/retour-par-anvers/" target="_blank">https://www.poly.fr/retour-par-anvers/</a> </div>
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<div class="k-ResponsiveIframeContainer">Model of the pirogue. wood, rubber, nails, wheels, 1m x 17 cm</div>
<div class="k-ResponsiveIframeContainer"><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/564303/Maquette-1547474098.jpg" width="100%" /></div>
<div class="k-ResponsiveIframeContainer"> © Anne Derivière</div>
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<div class="k-ResponsiveIframeContainer"><strong>THE FILM</strong> (Synopsis) </div>
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<div class="k-ResponsiveIframeContainer">A film, fiction of a journey, the return on board a canoe, a collection of objects, Nkisi, masks of the Congo ... A canoe leaves empty from Strasbourg to Brussels-Tervuren, to the Museum Royal of Central Africa. She is then in charge of the objects. She moves to the port of Antwerp, and berths at the port of Boma (Congo). She goes to the port of Matadi then leaves for Kinshasa. Restoration and installation of objects at the National Museum of Kinshasa. Performative actions take place during the making of the film. The canoe, the objects, Nkisi, are carved, adapted to the staging. Fiction generates the reality of the questions asked by Congolese. They talk about their heritage that must certainly return to the origin. They ask themselves questions about the survival of their visible heritage in Belgium. Is it important that these objects continue to be where they are? Do they think they are well preserved? If these objects were not deported, would they be visible? In which state ? Who do we have their status as works of art? I decide to carve my own versions, I put them at the heart of my work. I am searching for the truth between what is written in the North and what was transmitted to me by word of mouth from the South. I position myself between a memory, a tragedy around a culture. I discovered the huge collection of Congolese objects ceded to Belgian settlers in Tervuren. A nonexistent heritage in my country.</div>
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<div class="k-ResponsiveIframeContainer"><strong>PORFOLIO</strong></div>
<div class="k-ResponsiveIframeContainer"><strong><a href="http://christianbotale.org/wp-content/uploads/2018/05/2015_2018.pdf" target="_blank">http://christianbotale.org/wp-content/uploads/2018/05/2015_2018.pdf</a></strong></div>
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<div class="k-ResponsiveIframeContainer"> Model of the pirogue. wood, rubber, nails, wheels, 1m x 17 cm</div>
<div class="k-ResponsiveIframeContainer"><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/564304/ZZKISS-1547474400.jpg" width="100%" /></div>
<div class="k-ResponsiveIframeContainer"> © Anne Derivère</div>
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<div class="k-ResponsiveIframeContainer"> Studio visit residency. Live Works at Centrale Fies, Dro, Italy 2018.</div>
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<div class="k-ResponsiveIframeContainer"> © Roberta Segata</div>
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<div class="k-ResponsiveIframeContainer">Studio visit residency. Live Works at Centrale Fies, Dro, Italy 2018.</div>
<div class="k-ResponsiveIframeContainer"><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/564385/dro.-ss-1547493584.jpg" width="100%" /></div>
<div class="k-ResponsiveIframeContainer"> © Roberta Segata</div>
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<div class="k-ResponsiveIframeContainer"> <a href="http:// http://www.liveworksaward.com/ " target="_blank">http:// http://www.liveworksaward.com/ </a></div>
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<div class="k-ResponsiveIframeContainer"><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/564411/2018-12-11_17_44_46-Greenshot-1547501373.jpg" width="100%" /></div>
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<p>Performance "Extract of Withdrawal", Africa Museum Tervuren, screenshot "Trial Movie Tracking". Mock-up film, December 2018 © Victor Schmitt</p>
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Allocation of funds
<p>Test of departure, Strasbourg City Center, Large Model, loaded, pushed.</p>
<p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/564386/Christian_Botale_02-1547494356.jpg" width="100%" /></p>
<p> © Patrick Lambin</p>
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<h2><strong>THE PROJECT</strong></h2>
<h2><strong>IS SUPPORTED BY THE REGION OF GRAND'EST AND THE DRAC, CITY OF STRASBOURG, ASSISTANCE TO THE INDIVIDUAL CREATION 2018 OF AN AMOUNT 8 000 euros (ACQUIS)</strong></h2>
<h2><strong>At first, I launch a goal to 5000 Euros, to support the progress of the project, if the goal is exceeded, it will join the total cost of the budget ...</strong></h2>
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<h2><strong>Remain to Finance 26,348 whose distribution is: </strong></h2>
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<p><strong>PRODUCTION COSTS (Material and Transport Purchases) € 18,164 ARTISTIC COSTS (Restoration and accommodation of artists) € 7,950 RESEARCH EXPENSES (Documentation) 234 euros</strong></p>
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<p><strong>TOTAL PROJECT COST 34 348 euros </strong></p>
<p>(See detailed budget at the bottom of the page)</p>
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<p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/565050/LUMU-1547778987.jpg" width="100%" /></p>
<p> Patrice Emery Lumumba © Erwan Soumhi. </p>
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<h2> REALIZATION RESIDENCE WORKSHOP</h2>
<p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/565051/STUDIO-1547779062.jpg" width="100%" /></p>
<p> From the workshop © Christian Botale.</p>
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<p><strong>// Technical details // </strong></p>
<p>The different places of residence include research time: documentary archives, interviews, meeting with restorers, actors of the circuit of works of art, craftsmen and artists. Historians and sociologists ...</p>
<p><strong>_ Europe 1. Realization. Residence 1, Strasbourg, 2 months.</strong></p>
<p>The canoe is carved on a tree trunk, dismountable in 4 parts. Eleven sculptures to make and eleven paddles. The boxes of sculptures for their movements. 2. The departure, the journey. Residence 2, Brussels, 2 weeks. Residence 3, Antwerp, 1 week. From Strasbourg, the canoe is empty on wheels, it moves with a push of hands for an hour on the sidewalk and on the bike path from point A to point B. Micro-performance is achieved. The camera films his journey and the photographer makes stopped images. Arrival at point B the canoe is dismantled, stored in the truck which already contains the boxes with eleven sculptures. Brussels direction 440 km instead of the residence 2. From this new point A canoe is mounted empty, moves an hour with the same operation to point B through Brussels. The canoe is disassembled again, stowed in the truck direction Tervuren 13.4 km. Arrival at Tervuren, the canoe is again up from point A, moves empty to the main entrance of the Royal Museum of Central Africa. With the authorization of this institution, the sculptures in the crates will be lowered from the truck to be arranged in temporary spaces in the Museum. The camera turns, the performance is to take these boxes out of the Museums and place them on the canoe with choreographies, costumes and rituals. From this same point, the canoe travels one hour on Tervuren to point B in the same city. The canoe will be dismantled, stored in the truck with the crates of sculptures direction Antwerp 49 km. Arrived at Antwerp residence 3, the dugout is mounted again, this time with the crates containing the sculptures, and moves from a point A closest to the seaport, at point B, the water. The camera is spinning, the performance is an attempt at symbolic launch without risking drowning. The camera is cut off. End of the achievement part Europe. The canoe is dismantled, stowed in the truck with crates direction Strasbourg 474 km. It's back in the workshop.</p>
<p><strong>_ Africa 3.</strong></p>
<p><strong>Realization. Residence 4, Kinshasa, 2 months. Journey by plane. (6 artists in Paris, France direction Kinshasa, DR Congo) </strong></p>
<p>A new canoe is carved in a tree trunk, removable into 4 parts. Eleven new sculptures to make and eleven paddles. The new boxes of sculptures for their travels. All pretty much the same. A workshop with students of Fine Arts 4. The departure, the journey. Residence 5, Boma, 2 weeks. The canoe and the crates with the sculptures leave from Kinshasa city, to the port of Boma in a truck, 444 Km. Arrival at the port, the canoe is mounted with crates on it. The camera is spinning. The performance is the fact of removing the canoe from the port in order to bring it back to town with an hour's drive into Boma-city. From there, she will perform a ritual flash passage at the nearby port of Matadi. The camera turns to visit this historic port, part of all river transactions in the DRC. From this point, the canoe is disassembled again, stowed in the truck towards Kinshasa 444 km, to the town of Gombe, administrative center of the colonial era to the present day. The canoe is mounted, the crates are placed. The camera is spinning. The performance is to move the canoe to the National Museum of Fine Arts, host structure, through the symbolic streets of colonial powers. Arrival at the Museum, a time of restoration, rituals, dances. The performance is opening the boxes, removing the pieces and installing them in the Museum, or returning them to the people, to restore their status as traditional objects of everyday life. To recount the project, the action, the journey, to collect the intentions of the population, the impressions on this idea of the return. The camera cuts. It's the end of the shoot. Assembly table, preparation of the restitution, large exhibition composed of the film, small films, photographs of the journey, sound recordings, objects, performances, texts ... Discussions ...</p>
<p><strong>5. Estimated budget</strong></p>
<p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/564400/Capture_d_e_cran_2019-01-14_a__21.56.20-1547499638.png" width="100%" /></p>
<p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/564401/Capture_d_e_cran_2019-01-14_a__21.57.13-1547499700.png" width="100%" /></p>
<p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/564402/Capture_d_e_cran_2019-01-14_a__21.57.36-1547499733.png" width="100%" /></p>
<p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/564403/Capture_d_e_cran_2019-01-14_a__21.57.58-1547499755.png" width="100%" /></p>
<p><strong>6. Project Participants / Collaborative Work / Workshop / Performers </strong></p>
<p>Juliette FAYE http://www.juliettefaye.com/</p>
<p>Anne DERIVIERE https://deriviereanne.wixsite.com/website</p>
<p>Baptiste DESJARDIN / http://www.baptistedesjardin.com /</p>
<p>Victor Schmitt http://abysses.org</p>
<p>Erwan SOUMHI http://www.erwansoumhi.com</p>
<p><iframe allow="autoplay; fullscreen" allowfullscreen="true" frameborder="0" height="366" scrolling="no" src="https://cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fplayer.vimeo.com%2Fvideo%2F236274633%3Fapp_id%3D122963&dntp=1&url=https%3A%2F%2Fvimeo.com%2F236274633&image=https%3A%2F%2Fi.vimeocdn.com%2Fvideo%2F658338021_640.jpg&key=8b7d8dd6504d41af9a77662672aabc2a&type=text%2Fhtml&schema=vimeo" width="500"></iframe></p>
Rewards
Enjoy seeing my performance when returning my project
€10
KOK-LAT-VIL solo + Invocation + Incantation + Exorcism is a performance created in 2013 at the initiative of the project, this creation has toured since 2015 to the present day, you will have the opportunity to see it again the opportunity of the restitution of the project in several cities in Europe, and Africa. + Acknowledgment on the credits of the film (your name and first name)
Estimated delivery: December 2020
A booklet signed and dated by the Artist.
€15
The brochure contains stories told by the artist during the making of wooden objects (Sculptures) He lifts the broom and dances naked to stop the rain that wants to disperse an event or ceremony, whether of mourning or festive. The sound comes from one moment to another, the fire appears as force to burn everything, also as a process of elaborating his sculptures very showy in his space. The rain falls to neutralize everything ... + Acknowledgment on the credits of the film (your name and first name)
Estimated delivery: December 2020
The film KOK-LAT-VIL Solo + Invocation + Incantation + Exorcism, on dvd
€20
Superstition is a launch of the film part between the sound of the antenna that captures the network of the moment to disclose it at the moment following. The spectators are included in the staging. The film shows all the beliefs and myths about his faith and how to decipher the character who holds the macabre practices. 19'04 film, production in the forest of Vosges North, 2016. Projected film during the performance. + Acknowledgment on the credits of the film (your name and first name)
Estimated delivery: May 2019
The film DVD ANVERS A L'ENVERS
€30
The project explores my genealogical links in Belgium and seeks the truth between what is written by the North and what is narrated by word of mouth from the South. I connect a personal past, archives of the Museum of Zaire Institute, Ekonda music, dance, travel, tragedy, faith and traditions on a film. Three years after the death of my father. I discovered a will and manuscripts. These documents touch on the fragile / fierce, universal problems. An irrepressible desire for reappropriation is born. In Brussels I discovered the immense collection of Nkisi of the Royal Museum of Central Africa, a non-existent heritage in my country. I decide to carve my own versions, I place them at the heart of my work, which includes installation, performance and choreography. The restoration, the rehabilitation or the disqualification of these anthropomorphic statuettes loaded with living traditions come on stage during the making of the film. I claim a memory that defines a journey, a tragedy around a culture. + Acknowledgment on the credits of the film (your name and first name)
Estimated delivery: December 2020
A digital photo print of the Artist's performance, 50X70 cm
€50
KOK-LAT-VIL solo performance + Summoning + Incantation + Exorcism. Trace of the Spider Festival, September 2018, © Matija Lukic + Acknowledgment on the credits of the movie (your name and first name)
Estimated delivery: June 2019
Two digitals photos print of the Artist's performance, 50X70 cm
€100
And more a photo during the shooting of the film in Kinshasa, KOK-LAT-VIL solo performance + Summoning + Incantation + Exorcism. Trace of the Spider Festival, September 2018, © Matija Lukic + Acknowledgment on the credits of the movie (your name and first name)
Estimated delivery: August 2019
Model of dugout, wood and paddle length 1 meter
€400
The model of the canoe is carved wooden object, to present the project, it is a unique piece, or where there are 2 or more contributors the object would be reproduced in a way that it would not be identical for that he is always unique to you! First delivery in February 2019 and then 45 days after the contribution. + Acknowledgment on the credits of the film (your name and first name)
Estimated delivery: March 2019
Mistigris Nightmare, wood, nails, strips of iron, rubber, 70X50 cm
€800
Mistigris Nightmare, is an anti nightmare object, releases positive waves in the night, instead on a bedside table with light in the bedroom. The object is made in August 2018, as part of the SpiderFestival September 2018. It is sacred and protects the night. Unique piece. + Acknowledgment on the credits of the film (your name and first name)
Estimated delivery: March 2019