Franck Amsallem "Gotham Goodbye"

<p>&nbsp;</p> <p><strong>jazz&amp;</strong>people</p> <p>presents</p> <p><strong>Franck Amsallem</strong></p> <p><strong>Gotham Goodbye</strong></p> <p>&nbsp;</p> <p><strong>jazz&amp;people, the leading French crowdfunded jazz label, is proud to present &quot;Gotham Goodbye&quot;, the&nbsp;new album of the pianist Franck Amsallem.</strong></p> <p>&nbsp;</p> <p><strong>Goodbye Gotham, bonjour Paris</strong>&hellip; In evocation of twenty highly productive years in New York, Franck Amsallem has recorded an album as <strong>a sort of&nbsp;<em>adieu</em>&nbsp;</strong>to the American megalopolis, and asserts with a brilliant quartet that jazz as he conceives it can be played just <strong>as well in Paris now</strong>.</p> <p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/603379/15102018-454B8761_-_copie-1561040963.jpg" width="100%" /></p> <p>Having gone to study in the United States in 1981, obtaining his diploma at the Berklee College of Music two years later, Franck Amsallem spent <strong>two decades as a professional jazz musician in New York</strong>, where he played with many of the greats, led his own groups, and recorded a series of acclaimed albums with major jazz musicians.&nbsp;&nbsp;For twenty years <strong>the Big Apple nourished, inspired, overwhelmed, transported, exhausted him</strong>. The permanent creativity keeping pace with the urban intensity, the pressures of a city that never sleeps combined with the necessity of making a living, the density of the number of musicians and the level required, all this contributed to shaping his technique, to forging his style and to inspiring his art. In 2001, <strong>exactly twenty years to the day when he first set foot on American soil</strong>, Franck Amsallem made the decision to return to France, without disavowing <strong>what his years in New York had given him</strong>.</p> <p>Having become well established on the Parisian scene since then, Franck Amsallem assumes his role in jazz in France today while remaining strongly attached to the values he learned in the United States and the way in which jazz survives there, and is firmly rooted in tradition without being confined by it, combining a <strong>spirit of play</strong> with <strong>collective energy</strong>, the <strong>taking of risks</strong> in improvisation with a certain <strong>instrumental excellence</strong>. After two albums of standards in which he explored his talents as a singer, his new album &laquo;Gotham Goodbye&nbsp;&raquo; features <strong>original compositions</strong>, signaling his <strong>return to a leading position</strong> in French jazz.</p> <p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/603383/15102018-454B8765_-_copie-1561041351.jpg" width="100%" /></p> <p>Inspired by the <strong>international quartet of younger musicians</strong> he has selected and who prove their engagement in this music and with whom he is proud to share his experience, he has devised <strong>an entirely new repertoire</strong> of original compositions, comparable to those that made his reputation at the beginning of the 1990&rsquo;s, and <strong>consistent with the formal preoccupations that inspire jazz players</strong> and improvisers <strong>in Paris as in New York today</strong>.</p> <p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/603381/15102018-454B8764_-_copie-1561041056.jpg" width="100%" /></p> <p><strong>From odd metrics to revamped latin rhythms</strong>, from lyrical compostions to funky grooves, intense ballads to straight-ahead swing, dream-like moods to dizzying unisons and without forgetting a quirky blues, &laquo;Gotham Goodbye&nbsp;&raquo; <strong>showcases a series of works</strong> that are far removed from simple pretexts for improvisation but worlds in themselves, and <strong>invested with the personalities of those inhabiting them</strong>&nbsp;: the tenor saxophonist <strong>Irving Acao</strong> who&rsquo;s playing is both voluptuous and fleet, gifted with a tone of remarkable richness, and who reveals himself to be a soloist with formidable phrasing&nbsp;; providing a dynamic foundation for the group, <strong>Viktor Nyberg</strong> imposes himself as a bassist with an ironclad presence&nbsp;; the vivacity of <strong>Gautier Garrigues</strong>&rsquo;s drumming never alters his sense of colors, ever eager to swing while kicking the collective play with his confidence and his impulses.</p> <p>Driving this<strong> high-flying quartet</strong> as much as he challenges and stimulates it, <strong>Franck Amsallem</strong> reminds us just what a <strong>formidable pianist</strong> he is, combining in a personal style the influence of greats from Bud Powell to Keith Jarrett by way of Thelonious Monk, Herbie Hancock and Chick Corea.&nbsp;&nbsp;His touch&nbsp;biting or sensual, incisive in attack but unpredictable in his phrasing, <strong>he transforms each solo into a highlight</strong>.&nbsp;</p> <p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/602710/2018-10-15_16.23.56-1-1560781242.jpg" width="100%" /></p> <hr /> <p><strong>In the Press:</strong></p> <blockquote> <p>&nbsp;</p> <p>&laquo;&nbsp;<em>A strong, forthright pianist personality</em>&nbsp;&raquo; (Down Beat)</p> <p>&laquo;&nbsp;<em>Franck Amsallem&rsquo;s bold, brightly colored interpretations are unique</em>&nbsp;&raquo; (Jazz Times)</p> </blockquote> <hr /> <p><em>Watch the video of the title theme filmed during the recording session:</em></p> <p><a href="https://youtu.be/vy9EI6svKRM" target="_blank">https://youtu.be/vy9EI6svKRM</a></p> <hr /> <p><strong>The musicians :</strong></p> <p>&nbsp;</p> <p><strong>Franck Amsallem</strong> : Obtained a diploma from the Berklee College of Music in Boston, studied composition with Bob Brookmeyer. Franck Amsallem, born in in Oran in 1961, raised in Nice, lived for twenty years in the United States where he accompanied musicians such as Gerry Mulligan, Harry Belafonte and&nbsp;&nbsp;Charles Lloyd, and recorded several albums, the first with Gary Peacock and Bill Stewart. He has also recorded a homage to Billy Strayhorn with St&eacute;phane Belmondo and Elisabeth Kontomanou, and was featured in the series &laquo; At Barloyd&rsquo;s &raquo; released by jazz&amp;people.</p> <p>&nbsp;</p> <p><strong><a href="https://irvingacao.com/" target="_blank">Irving Acao</a></strong>: Tenor saxophonist Irving Acao studied music and launched his career in Cuba, where he collaborated with the flutist Maraca Valle and the pianist Chucho Valdes,&nbsp;</p> <p>with whom he recorded the album &laquo; New Conceptions &raquo; (Blue Note), and played with&nbsp;&nbsp;Roy Hargrove.&nbsp;Now living in France, he works regularly with jazz musicians as well as playing Afro-Caribbean music (Ray Lema, David Murray, Jimmy Cliff), and also leads his own quartet.</p> <p>&nbsp;</p> <p><strong><a href="https://viktornyberg.weebly.com/">Viktor Nyberg</a>&nbsp;</strong>:&nbsp;&nbsp;The Swedish bassist, born in 1989, studied at the Royal Conservatory in Stockholm, at North Texas University and at the CSNM in Paris.&nbsp;&nbsp;He has quickly become one of the most in-demand musicians on the Parisian jazz scene.&nbsp;He plays very regularly in Ga&euml;l Horellou&rsquo;s group with Ari Hoenig, with&nbsp;&nbsp;Alex Tassel, the singer Julie Erikssen, the pianist Jacky Terrasson, and with Laurent Coq and Julien Lourau&rsquo;s Sa&iuml;gon quartet.&nbsp;He has also started a trio with the pianist Peter Martin and the drummer Ulysses Owens.</p> <p>&nbsp;</p> <p><strong>Gautier Garrigue</strong> :&nbsp;&nbsp;Ever since moving&nbsp;&nbsp;to Paris in 2002 from his native Perpignan (where he was born in 1987),&nbsp;&nbsp;his talents as a drummer have made him a key figure on the scene and he has become an essential participant in a multitude of groups, working with Sophie Alour and with Henri Texier, the Gil Evans Paris Workshop of Laurent Cugny and Seamus Blake&rsquo;s French Quartet, as well as working regularly with leading groups on the Paris jazz scene such as Flash Pig, the David Enhco Quartet or The Drops.</p> <hr /> <p><strong><em>The Album</em>&nbsp;</strong></p> <p><img alt="" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/604149/jazzandpeople_FranckAmsallem-GothamGoodbye_Recto3000-1561458440.jpg" width="100%" /></p> <ol> <li>From Two to Five (5&rsquo;45)</li> <li>A Night in Ashland (7&rsquo;05)</li> <li>Gotham Goodbye (6&rsquo;41)</li> <li>Last Night When We Were Young (5&rsquo;42)</li> <li>Baton Rouge (4&rsquo;22)</li> <li>Standard Form (7&rsquo;01)</li> <li>In Memoriam (8&rsquo;16)</li> <li>From Twelve to Four (5&rsquo;46)</li> <li>Hamsa (7&rsquo;14)</li> </ol> <p>All compositions&nbsp;by <strong>Franck Amsallem</strong><strong>&nbsp;</strong>(except&nbsp;4 by Harold Arlen &amp; Yip Harburg).</p> <p><strong>Franck Amsallem</strong>, piano</p> <p><strong>Irving Acao</strong>, t&eacute;nor saxophone</p> <p><strong>Viktor Nyberg</strong>, double bass</p> <p><strong>Gautier Garrigue</strong>, drums</p> <p>Recorded at&nbsp;<strong>Studio Sextan</strong>&nbsp;by&nbsp;<strong>Alban Sautour</strong>.</p> <p>Cover picture by&nbsp;<a href="http://www.philippelevystab.com/" target="_blank"><strong>Philippe L&eacute;vy-Stab</strong></a>.</p> <p>Graphic design by&nbsp;<strong>Olivier Linden</strong>.</p> <p>Follow&nbsp;<strong>Franck Amsallem</strong>&nbsp;on&nbsp;<a href="https://www.facebook.com/FranckAmsallemMusic/" target="_blank">Facebook</a>&nbsp;and&nbsp;<a href="https://www.youtube.com/channel/UCU2m44trOycRwdnEOXD0Qww" target="_blank">YouTube</a>.</p> <p>&nbsp;</p> <p>(Translation&nbsp;: Jerome Reese)</p>