Les Naufragés / court-métrage

"Lou is a lawyer, Nina is in prison. When these two women meet, their lives will be turned upside down."

Project visual Les Naufragés / court-métrage
Successful
85
Contributions
01/15/2017
End date
€6,506
Out of €5,500
118 %
Supported by
CINEMA GALERIES supports the project Les Naufragés / court-métrage

Les Naufragés / court-métrage

<p> <strong>/ SYNOPSIS /</strong></p> <p> Lou is a lawyer. She visits the prison to question Nina, an inmate who has just been incarcerated. These two women fight with their consciences and this meeting quickly takes a sinister turn.</p> <p>  </p> <p> <img alt="01mosaikfinalelight-1480631785" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373903/01MOSAIKFINALELight-1480631785.jpg"></p> <p>  </p> <p> <strong>/ </strong><strong>STORYLINE</strong><strong> /</strong></p> <p> “A person’s capacity to draw out a terrifying ferocity from within themself has always intrigued me. As an actress, the construction of this type of character fascinates me. This story struck a chord with me and it seemed obvious to write about it. I hoped to use my skills as an actress to create strong characters. On the one hand, there’s Lou, a young lawyer who pushes the limits of her professional conscience as she searches to understand the charges this inmate is facing. On the other hand, there’s Nina, who is searching for the reasons which pushed her to commit this irredeemable act. By mixing the ingredients of a thriller with more fantastical elements, I hope to maintain the film’s suspense from start to finish.” - Cécile</p> <p>  </p> <p> <strong>/ </strong><strong>DIRECTION</strong><strong> /</strong></p> <p> “In order to create the visual universe of the film <em>Castaways</em>, I shall follow the aesthetic styles of the thriller and film noir genres: low lighting, darker tones and accentuated shadows. In a style close to <em>chiaroscuro</em>, the film will be rich in contrast. This kind of lighting seeks to reaffirm the film’s intention: characters being constantly pulled between good and evil, between the dark and the light. As in my previous film, I look to blend genre conventions with a story anchored in reality. The fantastical elements will therefore be depicted in a realistic fashion. Through mixing fixed shots and controlled camera movements, I hope for the camera to take us into the story itself. It will not capture the story in the style of a documentary; it will lead us into it. The performance will be prepared with a shooting script and a storyboard in order to best pin down the visual and sound parameters.” - Mathieu</p> <p>  </p> <p> <strong>/ LE JEU D'ACTEUR /</strong></p> <p> “I shall approach the preparative work with the actors from three different angles. Firstly, during rehearsals, I hope to explore with them the gestures and movements of the characters (as they are depicted in the screenplay). Then, during the script readings, we will rework the texts and dialogues. Finally, I place special importance on appearances, that’s to say, the costumes, make-up and hair styles of each character. In order to create an honest depiction of this universe, I have spent considerable time in Belgium’s two women’s prisons (Gand and Oudenaarde). I have also watched many documentaries and reports on this subject, always with the intention of delving deeply into the universe of the film.” - Mathieu</p> <p>  </p> <p> <strong>/ MOODBOARD /</strong></p> <p>  </p> <p> <img alt="Screen_shot_2016-12-01_at_21.33.11-1480632068" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373905/Screen_Shot_2016-12-01_at_21.33.11-1480632068.png"></p> <p>  </p> <p> <strong>/ CREW PRESENTATION /</strong></p> <p>  </p> <p> <strong>- </strong><strong>MATHIEU MORTELMANS (FILM DIRECTOR)</strong></p> <p>  </p> <p> <img alt="000mathieu-1480632179" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373907/000Mathieu-1480632179.jpg"></p> <p>  </p> <p> Né en 1985, Mathieu a grandi dans une famille bilingue à Anvers. Lorsqu’il a entamé ses études à l’Institut des Arts de Diffusion, il a déménagé vers Bruxelles où il vit depuis 2006. Il travaille depuis plusieurs années comme réalisateur tant du côté francophone que du côté néerlandophone. En plus de ses deux court-métrages « Chambre Double » et « Complices », primés à l'international, il a réalisé plus de 40 épisodes pour de nombreuses séries flamandes. Il prépare actuellement son premier long métrage “100 Dagen” dont le tournage est prévu pour l’été 2017.</p> <p>  </p> <p> <em>Bande annonce de 'Complices', le dernier court-métrage réalisé par Mathieu Mortelmans :</em></p> <p>  </p> <p> <iframe allowfullscreen="" frameborder="0" height="304" src="//cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fwww.youtube.com%2Fembed%2FCOeIDEjyDOg%3Fwmode%3Dopaque%26feature%3Doembed&amp;wmode=opaque&amp;url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DCOeIDEjyDOg&amp;image=https%3A%2F%2Fi.ytimg.com%2Fvi%2FCOeIDEjyDOg%2Fhqdefault.jpg&amp;key=ff2702755d9749cda571c6d6c2f3eb46&amp;type=text%2Fhtml&amp;schema=youtube" width="540"></iframe></p> <p>  </p> <p> <img alt="Bandeau_mathieu-1480632122" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373906/Bandeau_Mathieu-1480632122.jpg"></p> <p>  </p> <p> <strong>- CECILE DELBERGHE (ACTRESS)</strong></p> <p>  </p> <p> <img alt="000imgcec-1480632311" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373908/000IMGCEC-1480632311.jpg"></p> <p>  </p> <p> Après son master à l'IAD et sa formation aux cours Florent à Paris, Cécile exerce sa profession d'artiste interprète dans de multiple œuvres, aussi bien théâtrales que cinématographiques. Au théâtre, Cécile est aussi bien à l'aise sur les planches qu’à la mise en scène. Récemment apparue dans des longs métrages, tels que « Je me tue à le dire » de Xavier Seron ou encore « Cloclo» de Florent Emilio Siri, Cécile tourne également dans plusieurs courts métrages belges. </p> <p>  </p> <p> <img alt="Bandeau_ce_cile-1480632447" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373912/Bandeau_Ce_cile-1480632447.jpg"></p> <p>  </p> <p> <strong>- BABETIDA SADJO (ACTRESS) </strong></p> <p>  </p> <p> <img alt="02imgbab-1480632503" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373914/02IMGBAB-1480632503.JPG"></p> <p>  </p> <p> Née à Bafatá, une des villes centrales de la Guinée-Bissau , Babetida est une femme entreprenante. Elle est notamment à l’affiche de « La loi du déshonneur » de Francisco Luzemo. Active aussi au théâtre dans « Terre Noire» d’Irina Brook aux côtés de Romane Bohringer et d’Hyppolite Girardet ainsi que dans « Les murs murmurent », un monologue qu’elle a écrit. Elle vient également de remporter un Ensor du cinéma flamand en 2015 pour sa prestation dans Wasteland. Au FIFF, on l’a découverte dans « The hidden part », un court métrage de Monique Marnette.</p> <p>  </p> <p> <img alt="Bandeau_bab-1480632529" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373915/Bandeau_Bab-1480632529.jpg"></p> <p>  </p> <p> <strong>- GUILLAUME SIMONIN (DIRECTOR OF PHOTOGRAPHY)</strong></p> <p>  </p> <p> <img alt="000guillaume-1480632606" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373916/000Guillaume-1480632606.jpg"></p> <p>  </p> <p> Guillaume Simonin a signé la photographie de nombreux projets de court-métrages, clips, publicités et projets expérimentaux. Parmi ses derniers travaux on retient notamment le pre-roll du BIFFF 2016 (Brussels International Fantastic Film Festival) ou encore le très envoutant clip « My Life's a cage » pour le groupe The Aim.</p> <p>  </p> <p> http://www.shimera.eu/</p> <p>  </p> <p> <strong>- ABYSSAL PROCESS (PRODUCTION)</strong></p> <p>  </p> <p> <img alt="000ap-1480632907" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/373919/000AP-1480632907.jpg"></p> <p>  </p> <p> Abyssal Process est une jeune société de production fondée en 2013 à Bruxelles, active dans les secteurs de la fiction, du documentaire et de publicité. En fiction, la ligne de conduite consiste à travailler avec de jeunes réalisateurs pour leur permettre de développer leurs touches cinématographiques propres. En 2016, ils ont produit le documentaire « Abbiamo Fatto Bene » (portrait du peintre Alberto Sartoris) réalisé par Thomas Decaro et sont en train de terminer les films « Remue- Méninges » de Christophe Clin (avec Cécile Delberghe et Jean-Jacques Rausin) et « Etat d'alerte sa mère ! » de Sébastien Petretti (en coproduction avec Lovo Films).</p> <p>  </p> <p> http://www.abyssalprocess.com</p>

Allocation of funds

<p> The total budget for the film is 13,500€. We have already raised 8000€ through personal contributions and partnerships for all the post-production work (editing/mixing/standardisation) and the film’s distribution costs, as well as the provision for a large part of the technical equipment. The money raised through crowdfunding will then be used to cover all remaining costs related to the shooting of the film (starting with paying the team).</p> <p>  </p> <p> The 5500€ we still need to finance the project will be used as follows:</p> <p>  </p> <p> 2050€: Paying for the team (for four days of filming)</p> <p> 900€: Stage management, catering and fuel</p> <p> 750€: Renting additional technical equipment</p> <p> 600€: Location rentals and insurance</p> <p> 400€: Costumes, decorations, accessories and make-up</p> <p> 440€: Commission to be paid to KKBB (8%)</p> <p> 360€: Budget for producing the rewards scheme</p>

Choose your reward

€5

Estimated delivery: July 2017

A warm thank-you from the film crew.
  • 4 contributions

€15

Estimated delivery: July 2017

Previous reward + a thank-you on the film’s website and on social networks + official postcard.
  • 14 contributions

€30

Estimated delivery: July 2017

All previous rewards + your name in the film credits + a private link to watch the film before its release.
  • 12 contributions

€45

Estimated delivery: July 2017

All previous rewards + two seats to the film’s pre-screening.
  • 25 contributions

€60

Estimated delivery: July 2017

All previous rewards + one official photo (18x24) from the film signed by the actresses.
  • 1 contribution

€75

Estimated delivery: November 2017

All previous rewards + the film on DVD + two badges designed by the graphist of the poster.
  • 2 contributions

€90

Estimated delivery: July 2017

All previous rewards + one screenplay signed by the film director.
  • 3 contributions

€125

Estimated delivery: July 2017

All previous rewards + one storyboard from the film signed by the director + one photographic print (of your choice) from the film (30x40).
  • 2 contributions

€250

Estimated delivery: July 2017

All previous rewards + your name in the credits as a Film Partner + one film poster + an invitation to drinks at the film wrap party.
  • 7 contributions

€500

Estimated delivery: July 2017

All previous rewards + a VIP visit to the film set in Brussels.
  • 3 contributions
  • 5/8 available

€700

Estimated delivery: July 2017

All previous rewards + your name on the film poster as a Film Partner.
  • 10/10 available

€900

Estimated delivery: July 2017

All previous rewards + an invitation for two to a dinner with Mathieu and Cécile.
  • 6/6 available

€1,500

Estimated delivery: October 2017

All previous rewards + we will shoot a new GUNTHER VISMÄTH video clip with you in a starring role ! https://www.youtube.com/watch?v=Ktl6s23DUAA
  • 6/6 available

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