POPPOSITIONS

POPPOSITIONS / EXPERIMENTAL/ IN SITU / CURATED / HYBRID / SUSTAINABLE / TEMPORARY / INTINERANT / CRITICAL / ASSEMBLY / ALTERNATIVE FAIR

Project visual POPPOSITIONS
Successful
73
Backers
04/21/2014
End date
€5,040
Out of €5,000
101 %
Supported by
Victoire Magazine supports the project POPPOSITIONS

POPPOSITIONS

WHAT IS IT ?

 

Designed as an experiment around the contemporary art fair format and an alternative to its generic, sterilised white-cube labyrinth, POPPOSITIONS brings life back into this environment by gathering galleries and hybrids art spaces. With an itinerant initiative, POPPOSITIONS remobilises locations for each edition, focuses on contextual, site-specific productions and aims to provide a critical, independent and unique point-of-view during Art Brussels.

 

WHO ARE WE ?

 

POPPOSITIONS was born from the initiative of Liv Vaisberg, who rounded-up fellow pioneers Edouard Meier, Pieter Vermeulen and Ibrahim Öztas to remodel the format of an art fair by introducing the vital need for critical reflection. Converging from various backgrounds, eager to join their diverse energy and experiences, they were shortly thereafter joined by an ever-growing team of like-minded volunteers to help flourish and challenge the quality of art production, presentation and spectatorship during Art Brussels. Aleksandra Eriksson, Marie Valette and Bart Verschueren are key driving forces regarding the organisation and conceptualising of the event. The team of volunteers includes Angela Donksoi, Julien Keita, Maxime Dendraën, Eva Menga and Wouter Pauwels. Lastly, a group of curators meets to maintain POPPOSITIONS’ concept and to carry out the selection of participants  (Thomas Arsac (curator, 303Gallery NYC), Guillaume Bleret (independant curator), Patrick Carpentier (artist), Matteo Lucchetti (independant curator, Visible), Samuel Saelemakers (curator, Witte de With)  and Pieter Vermeulen (independant curator).

 

 Image_14

 

3rd EDITION // POPPOSITIONS // 2014

Edition_3

The 2014 edition of POPPOSITIONS will take place at the Dexia Art Center, whose building is located in Brussels’ historic center, near the Central Train Station, Brussels Opera House and Bozar. This exquisite building, financed by the Vanderborght brothers in the thirties in order to make a furniture store, once housed the art collection of the Dexia bank.

 

1653570_688202581199970_630640440_n

Poteau

 

Adversely, this building was the first victim of the European financial crisis in 2011 and has since become the Belfius bank, purchased by the government through the sales of its art collection. After hosting several cultural events, the Vanderborghts will potentially house the modern art of the Royal Museum of Fine Arts collection intermittently.

 

1551596_688209281199300_1003747850_n

 

POPPOSITIONS is radically different from other fairs. Our panel of curators has notably selected the work of artists who are represented by galleries and other hybrid spaces that will endow the building of the former Dexia Art Center in Brussels. The entire project stages itself under the guise of a temporary exhibition, while at the same time maintaining an art fair status. To round out the event, POPPOSITIONS has crafted a parallel program of experimental music in the Document listening salon, performances, and discussion panels contending the issues of art fairs and the art market. A conceptual vegetarian restaurant, a mobile café, and a site-specific bookshop, all itinerant and ephemeral, reflecting the ideology of POPPOSITIONS itself, will welcome visitors in an offbeat yet cordial manner.

 

16614_688211134532448_1435779461_n

1514255_682825448404350_1788161574_n

 

2nd EDITION // POPPOSITIONS // 2013

Edition_2

 

Following the general enthusiasm of the public and the press on our first edition, the event recurred in 2013 at Forest’s Brass with a new set of volunteers, willingly motivated to further enhance the project in order to span a larger audience to alternative potentials of engaging with art.

 

PARTICIPANTS :

200×75 (FR) : Hugo Bregeau/Guillaume Pellay/Grégory & Cyril Chapuisat

/Abilene (BE) : Laura Porter/Valentin Lewandowski

/ Actionfields (BE) : Conny Kuilboer

/ Bęc Zmiana (PL) : Michał Gayer/Rafał Dominik

/ Collectif P4 (BE/CH): Thomas Bernardet

 / Document (BE) : Ben Marzys/Brussels Pony Club/Cerebral Teen Trip/Cleveland/Coeur/Davon/Faislebeau/Handless/Jeny Cox/LuvGang/Nathan Oye/Patrick Carpentier/Sarah & Charles/Shekenz/Soumaya Aka Phéline/True Chains/Walrus Fuori/ Campo (IT): Marco Andrea Magni

/ Greylight Projects (BE/NL) : Marc Buchy/Stefan Piat/Wouter Huis/Silvia Bakker/ 

Les commissaires anonymes (FR): Joséphine Kaeppelin

 / Not Yet (BE) : Todd von Ammon/Jean-Pierre Bertrand/Emilie Pischedda/Valentin Souquet/Jonathan Sullam/Elodie Delaigle/ 

Outlandish (BE) : Egon Van Herreweghe/Dominique Somers

 / Ponyhof Gallery (BE) : Karen Vermeren/ Prestige (BE) : Christina Stuhlberger/David Denil/Svend Thomsen/Elisabeth Ida/Delphine Lebon/Debby Huysmans/Nicoline van Stapele/Maaike Leyn/Wim de Maat/Joris Vermassen/Mario De Brabandere/Cristian Bors & Marius Ritiu/Koen Broucke/Shuxian Lee/Thé van Bergen/Annelies de Mey/Gery De Smet/Karl Mechnig/Line Boogaerts/Kristof van Heeschvelde/Peter Weidenbaum/Saar de Buysere/Lieven Segers/Bart van Dijck/Annemie Augustijns/Hala Elias/ RK projects (US) : Jeff Hale/Richard Keller

/ Rossi Contemporary (BE) : Simon Laureyns

/ Sils (NL) : Dico Kruijsse/Ken Lum/Gwendoline Robin

/ Squid & Tabernacle (UK) : Alex Chalmers/Annamaria Kardos/Charlie Godet Thomas/Louise

 

IN TANDEM WITH :

Broer Bretel mobile café / Theophile’s Papers itinerant bookshop / Villa Leopolda festuring El Turco concept pop-up vegetarian eatery / Shelter Press publications / En plein public wall mural.

Image_5

Image_8

Image_2

Image_3

Image_10

 

Continuously installing in locations marked by a strong sense of history and architecture, the concept evolves throughout the years and POPPOSITIONS incessantly defines itself by its unconventional and hybrid format in response to the advent of art fairs over the past 50 years. Our aim is to maintain an independent and critical approach focused on the production of contextual contemporary art while maintaining complimentary access to a quality event.

 

Dsc_2475

 

1st EDITION // POPPOSITIONS // 2012

Edition_1

 

The first edition took place without any financial means and in a very short preparation time in the Brussel Congress Station in 2012.

 

PARTICIPANTS  :

Abilene(BE) : Nicolas Bourthoumieux/Dougie Eynon/ Document(BE) : The Michael (Pleasure)/Jeny Cox/True Chain$/Ben Marzys/Different Fools with Siet Raeymaekers/Walden/Nathan Oye & DKA/Walrus/Geoff Wichmann/Coeur/Cleveland/ Or Nothing(BE):Gérard Meurant/ Outlandish(BE) : Egon Van Herreweghe/Dominique Somers/ Ponyhof Gallery(BE) : Aurélien Dupuis/Karen Vermeren/ Thankyouforcoming(FR/UK) : Stéphanie Lagarde/Cyril Verde/ The Ister(BE):Alan Fertil/Damien Teixidor 

 

IN TANDEM WITH :

Theophile’s Papers itinerant bookshop / Villa Leopolda concept pop-up vegetarian eatery

 

559047_491396490880581_778474147_n

534157_491395767547320_838630116_n

374487_491395734213990_1579249718_n

154722_405344692819095_811038033_n

73847_491396147547282_716332033_n

Joke_de_wilde

561652_491396380880592_663475294_n

 

 

Allocation of funds

POPPOSITIONS is based on the professional work of a strong team of dedicated volunteers throughout the year. We ask a modest participation fee from selected exhibitors in order to cover management and insurance costs.

 

Image_flyers

 

These fees are obviously incomparable to the usual fees charged by conventional art fairs, which is why we need your support to ensure the implementation of a representative event of this quality in both curatorial choices regarding presentation and the promotion of the event in order to maintain free entry prices for visitors.

 

Sac

 

 

COLLECTED FUNDS WILL BE USED FOR :

1 / The promotion & dissemination of the event: The location of each invested site and DEXIA Art Space for the 2014 edition requires visibility and awareness for the scale of Brussels capital in order to promote the event (flyers / posters / exhibition catalogue, invitations, labels etc ...)

 

2 / The production expenses related to renting the venue floors and installation costs proposed by the participants and "side programs" (video equipment / lighting / expenses, etc ...)

 

3 / The production expenses associated with staging & signposts: A specific set design within the space requires a variable budget for each edition. In addition, the establishment of an identifiable signpost is necessary to ensure an orderly flow the visitors' pathway and likewise to ensure easy visibility for each participant.

 

 

THE TOTAL COST OF THE PROJECT :

 

Your support will give us the opportunity to spread the results of our work and share with you our passion for contemporary art and a critical eye toward the format of art fairs. POPPOSITIONS is a project that guarantees both the quality of the participants' work being shown as well free admission for visitors who wish to share that experience. Working without financial subsidies for the moment, the amount we wish to achieve through KissKissBankBank is the minimum that would allow us to implement and enhance our project. The quality of facilities and stage design depend directly on the amount we have collected. With your support we can continue the adventure of this unique project and help promote an independent and alternative outlook on the contemporary art scene. Even small donations will help ripen our project. Profits for this 2014 edition provide us the opportunity to continue the next experiment in 2015, with an even more adventurous outlook based on growth. To conclude this project, we will publish a limited edition catalogue crafted in the vein of POPPOSITIONS' site-specific concept, which will track all that we have undertaken as a novel project ....

 

Image_drapeux

 

READY TO BE SENT

Image_3

Choose your reward

Make a donation

Give what I want