TU ES CECI

<p>  </p> <p> <strong>Before shooting</strong>, we need to create the different elements which will give life to the film universe :</p> <p>  </p> <p> <strong>- Fashion the costumes</strong></p> <p> <strong>- Create the claws for the main character</strong></p> <p> <strong>- Build a scratchable wall and a sizzle neon light</strong></p> <p> <strong>- Buy the props</strong></p> <p>  </p> <p> <strong>While shooting</strong>, it consists in having the right tools to create the film the director thinked up and to ensurethe crew's wellbeing, they're going to work 4 nights in a row, of which 2 outside. We already got the camera and sound recorder. The crew is working for free. They allow the film budget to be cut off by 2/3. But we still need you for :</p> <p>  </p> <p> <strong>- Rent light</strong></p> <p> <strong>- Buy food for a crew of 10 for 4 days</strong></p> <p> <strong>- Rent a utility vehicle</strong></p> <p> <strong>- Cover freight charges</strong></p> <p>  </p> <p> <strong>After the shooting</strong>, we have to edit, grade and mix the film. We also ned to create the communication medium : posters, press kit, DVD. We own most of the post-production equipment and the crew also accept to work for free. But we still have to fund :</p> <p>  </p> <p> <strong>- Print posters and press kit</strong></p> <p> <strong>- Pay shipping fees and submission fees for festivals</strong></p> <p> <strong>- Create video medium (HDcam, DCP)</strong></p> <p> <strong>- Make a film premier in a theater</strong></p> <p>  </p> <p> Finally the cost inherent to this fund raising :</p> <p>  </p> <p> <strong>- KisskissBankBank's commission</strong></p> <p>  </p> <p> We'll spend every penny of your contribution on making the film as good as possible, and keep you in the loop about where we're up to.</p> <p>  </p> <p>  </p> <p> <strong>Director</strong></p> <p>  </p> <p> <img alt="Faustine" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8761/Faustine.png"></p> <p>  </p> <p> <strong>Faustine de Bock</strong>, 26, graduated with a Cinema Degree from Paris Sorbonne University and an Editing Degree from ESEC (a cinema school in Paris). She completed her training with acting classes and actors’ direction workshops at Alain de Bock’s studio in Paris. In 2006, she became the assistant of Pierre Zarcate, a painter, who introduced her to contemporary art.</p> <p> Over the course of her training, she directed a short film <em>Le Corps de Pierre</em> and two experimental videos, <em>Les Espaces du Rêve</em> and <em>Abondance.</em></p> <p>  </p> <p> In 2012, she is the assistant of Vivianne Vagh, a video artist and documentary-maker. Together they prepared a series of Mediterranean artists’ portraits for the Granet museum in Aix-en-Provence released in January 2013. She also created, with Simon Girard, Konpyuta VJs, a duet of video performers, working with the DJ crew of Exploration Music for their parties.</p> <p>  </p> <p> In May 2012, they co-directed a short film, <em>Transfiguration</em>. Based on the film’s universe, they created <em>Post-Transfiguration</em>, a performance mixing dance, music and live visual. The premiere of “Post-Transfiguration” was presented during the Artchikult Festival in July 2012 at the Café A in Paris.</p> <p>  </p> <p> Currently, she's writing her next short film, <em>Agnosie.</em></p> <p>  </p> <p>  </p> <p> <strong>Actors</strong></p> <p>  </p> <p> <img alt="Clara_02_540x306" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8768/Clara_02_540x306.png"></p> <p>  </p> <p> Clara Besson - She</p> <p>  </p> <p> <img alt="Cyrille_540x304" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8622/Cyrille_540x304.png"></p> <p>  </p> <p> Cyrille Labbé - Him</p> <p>  </p> <p> <img alt="Laurent_evuort-orlandi" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8767/laurent_Evuort-Orlandi.png"></p> <p>  </p> <p> Laurent Evuort-Orlandi - A victim</p> <p>  </p> <p> <img alt="Eric_larza" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8766/Eric_Larza.png"></p> <p>  </p> <p> Eric Larzat - the man from the coffee-house</p> <p>  </p> <p>  </p> <p> <strong>Films and photos which <em>Tu es ceci</em></strong> <strong>took inspiration from</strong></p> <p>  </p> <p> <img alt="Mood_board_l01" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8647/MOOD_BOARD_L01.png"></p> <p>  </p> <p> <img alt="Mood_board_l02" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8648/MOOD_BOARD_L02.png"></p> <p>  </p> <p> <img alt="Mood_board_l03" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8649/MOOD_BOARD_L03.png"></p> <p>  </p> <p> <img alt="Mood_board_l04" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8650/MOOD_BOARD_L04.png"></p> <p>  </p> <p> <img alt="Mood_board_l05" src="https://kkbb-production.s3.amazonaws.com/uploads/project_image/image/8652/MOOD_BOARD_L05.png"></p> <p>  </p> <p> <em>Tokyo gore police</em>, Yoshihiro Nishimura, 2008 - <em>Marquise Casati</em>, Man Ray, 1922 - <em>Mystery train</em>, Jim Jarmush, 1989 - <em>Les Nuits rouges du bourreau de jade</em>, Julien Carbon et Laurent Courtiaud, 2011 - <em>In the Mood for Love</em>, Wong Kar Wai, 2000 - <em>Blue Velvet</em>, David Lynch, 1986 - <em>City limits</em>, Kris Moyes, 2010 - <em>King of New York</em>, Abel Ferrara, 1990  - <em>Wicked City</em>, Yoshiaki Kawajiri, 1987 - <em>Millenium mambo</em>, Hou Hsiao Hsien, 2001.</p> <p>  </p> <p>  </p>