Enregistrement "Purcell : Ayres & Songs for the Theatre"

<p> <em>Katherine Watson joins Alexis Kossenko and les Ambassadeurs for an exciting programme mixing Songs, Overtures and Dances !</em></p> <p>  </p> <p> <strong>THE PROJET</strong></p> <p> Purcell's contribution to the stage is far greater than what people usually think : in the last years of his life, few plays, comedies or dramas, were performed in the London theaters without some overture, song, tune, specially composed by the “celebrated Purcell” : <em>Bonduca, The Double Dealer, The Indian Queen, Abdelazer, The rival sisters, Aureng-Zebe, A Fool’s preferment, Amphitryon, Don Quixote, Distressed Innocence, Regulus</em>… most of these names are now forgotten, as they fell into the shadow of the great master-pieces such as Dido and Eneas or King Arthur… despite the fact that Purcell's art is at its zenith! All pieces are scattered jewels, which Les Ambassadeurs have selected, assembled and organized in suites -  with the intention to preserve the theatrical essence of the music.</p> <p>  </p> <p> <img alt="Purcell-1474553751" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/351952/Purcell-1474553751.jpg"></p> <p>  </p> <p> <strong>A MUSICOLOGICAL INVESTIGATION FOR A SOUND YET NEVER HEARD</strong></p> <p> Les Ambassadeurs have investigated sources and evidences in order to bring back this repertoire its original sound and taste, with an instrumentarium as close as possible to what Purcell was dealing with.</p> <p> Around the soprano, the continuo including a gamba, a harpsichord and 2 theorbos will be opposed to a true violin band in charge of overtures, hornpipes, jigs, slow ayres, boreas, scotch tunes, and chacones.</p> <p> The low pitch (equal to the one used at the French Court) at A=392 , violin cosort equally distributed (3 first violins, 3 second violins, 3 tenor violins, 3 bass violins in Bflat), short consort bows and pure gut strings : all this will contribute to bring back a sound surprisingly intense, compact, dense, very rich in harmonics, a neat articulation, and will enhance Purcell's fabulous counterpoint ; in short it will provide exacerbated expression, sound and rythm for a truly new musical experience.</p> <p>  </p> <p> <strong>THE MUSICAL FORCES</strong></p> <p> Katherine Watson : soprano</p> <p> LES AMBASSADEURS, dir. Alexis Kossenko</p> <p>      - The Violin Band : 3 violins I, 3 violins II, 3 violas, 3 bass violins</p> <p>      - The Oboe Band : 2 oboes, tenor oboes, bassoon (all doubling on recorder)</p> <p>      - The Continuo : harpsichord, bass viol, 2 theorbos</p> <p>  </p> <p> <iframe allowfullscreen="" frameborder="0" height="304" src="//cdn.embedly.com/widgets/media.html?src=https%3A%2F%2Fplayer.vimeo.com%2Fvideo%2F177839046&amp;wmode=opaque&amp;url=https%3A%2F%2Fvimeo.com%2F177839046&amp;image=https%3A%2F%2Fi.vimeocdn.com%2Fvideo%2F585342227_1280.jpg&amp;key=ff2702755d9749cda571c6d6c2f3eb46&amp;type=text%2Fhtml&amp;schema=vimeo" width="540"></iframe></p> <p>  </p> <p>  </p> <p> <img alt="Katherine_watson-1474486719" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/351733/Katherine_Watson-1474486719.png"></p> <p>  </p> <p> <strong>KATHERINE WATSON, soprano</strong></p> <p>  </p> <p> Katherine Watson studied Anglo-Saxon, Norse and Celtic at Trinity College, Cambridge where she was a choral scholar. She was awarded a place on the young artist programme of William Christie’s Les Arts Florissants and has since performed regularly with Christie and Les Arts Florissants throughout Europe and further afield. She has worked with a number of eminent conductors including Paul Agnew, Harry Bickett, Harry Christophers, Stephen Cleobury, Jonathan Cohen, Emmanuelle Haïm, Nicholas Kraemer, Stephen Layton, Sir Roger Norrington and Christophe Rousset.</p> <p>  </p> <p> Katherine made her operatic debut at Glyndebourne as Fairy/Nymph <strong><em>The Fairy Queen</em></strong> (Cummings) and returned as Diana <strong><em>Hippolyte et Aricie </em></strong>(Christie). Other operatic roles have included Italienne/Phantome <strong><em>Médée</em></strong> (Haïm), Virtù/Damigella <strong><em>L’Incoronazione di Poppea</em></strong> at the Teatro Real, Madrid, Cassandra <strong><em>La Didone</em></strong> in Caen, Luxembourg and Paris (Christie), Phani <strong><em>Les Incas du Pérou</em></strong>, <strong><em>Dardanus </em></strong>with Ensemble Pygmalion at Opera National de Bordeaux and at the Chapelle Royale, Château de Versailles and Iphis <strong><em>Jephta</em></strong> at the Beaune Festival.</p> <p>  </p> <p> Concert highlights include Iphis <strong><em>Jephtha</em></strong> in Paris, Moscow and Vienna, Diana <strong><em>Actéon</em></strong> and 2nd Woman <strong><em>Dido and Aeneas</em></strong> in New York (Christie), a programme of Cleopatra’s arias from <strong><em>Giulio Cesare</em></strong> in Lille, a programme of Rameau arias in Frankfurt and a Monteverdi Gala at the Festspielhaus, Baden Baden (Haïm). Further notable concert engagements include Bach’s <strong><em>Jauchzet Gott</em></strong> and Handel arias with the English Concert and trumpeter Tine Thing Helseth at the Cheltenham Festival, as well as a concert performance of Handel’s <strong><em>Apollo e Dafne</em></strong> with J. Cohen at Carnegie Hall, New York and more recently with Arcangelo at Zanker Hall, New York. Katherine’s oratorio work includes <strong><em>Messiah</em></strong> in Seville with the Hallé Orchestra, and with Polyphony at St John’s Smith Square, <strong><em>Christmas Oratorio</em></strong> with the Orchestra of the Age of Enlightenment and the Academy of Ancient Music for BBC Radio 3, <strong><em>St John Passion</em></strong>, <strong><em>Nelson Mass</em></strong> and Mozart’s <strong><em>Requiem</em></strong> (Layton), <strong><em>B Minor Mass</em></strong> in Winchester Cathedral, <strong><em>Dixit Dominus</em></strong> in Lincoln Cathedral, and Mozart <strong><em>Exsultate Jubilate</em></strong> in Westminster Abbey. Katherine has also performed Scarlatti’s <strong><em>Christmas Cantata</em></strong> (Norrington),<strong><em> Solomon </em></strong>(McCreesh), <strong><em>Nelson Mass </em></strong>with the Britten Sinfonia at the Concertgebouw, Amsterdam and <strong><em>Samson </em></strong>with the Irish Baroque Orchestra at the National Concert Hall, Dublin.</p> <p>  </p> <p> In addition to her work in baroque repertoire, Katherine has performed Mahler’s <strong><em>4th Symphony</em></strong>, Lutosławsky’s<strong><em> Chantesfleurs</em></strong> <strong><em>et Chantesfables</em></strong> and Barber’s <strong><em>Knoxville – Summer of 1915</em></strong> at St John’s Smith Square with the Kensington Symphony Orchestra, <strong><em>Symphonia Antarctica</em></strong> (Layton) with the City of London Sinfonia and Britten <strong><em>Les Illuminations</em></strong>. As a keen recitalist, Katherine’s lieder/chanson repertoire includes songs by Mozart, Schubert, Mahler, Strauss, Poulenc and Messiaen.</p> <p> Her discography includes Bach <strong><em>Christmas Oratorio</em></strong> (Layton/OAE/Trinity College Choir), Caterina <strong><em>Oratorio di Santa Caterina</em></strong> (Headley), and a Hyperion recording in 2014 of Monteverdi madrigals with Cohen and Arcangelo. DVD recordings include Cassandra<strong><em> La Didone</em></strong> (Opus Arte), Virtù/Damigella <strong><em>Poppea</em></strong> (EMI) and Un Songe/l’Amour/une Phrygienne <strong><em>Dardanus</em></strong> (Harmonia Mundi).</p> <p> Recent highlights include the title role <strong><em>Theodora</em></strong> in Paris, New York, and Amsterdam (Christie), Telaire <strong><em>Castor et Pollux</em></strong> (Wigmore Hall, Curnyn), performances of <strong><em>Messiah</em></strong> with Le Concert Spirituel, Polyphony, and La Risonanza throughout Europe, the title role <strong><em>Isbé </em></strong>at the Palace of Arts, Budapest (CD to be released), Mérope <strong><em>Persée </em></strong>(Metz and Paris), Cleopatra <strong><em>Alexander Balus</em></strong> at the London Handel Festival with Laurence Cummings, three appearances at the Beaune Festival as Nitocris <strong><em>Belshazzar</em></strong>, Armelite <strong><em>Zoroastre, </em></strong>and Galatea <strong><em>Acis and Galatea</em></strong>, a tour of <strong><em>B Minor Mass </em></strong>(Barcelona, Leipzig and London) with Les Arts Florissants, and two appearances at the BBC Proms with Arcangelo and Les Arts Florissants.</p> <p> Next season Katherine will return to Bordeaux to sing extracts from Massenet’s <strong><em>Don Quichotte</em></strong> (Pichon), and will also return to Théâtre des Champs Elysées as Giunone in Monteverdi’s <strong><em>Il Ritorno d’Ulysee in Patria</em></strong> (Haïm). Other future engagements include Belinda <strong><em>Dido and Aeneas </em></strong>with Opera de Rouen, a European tour of <strong><em>Messiah</em></strong> with Les Arts Florissants, <strong><em>Le Temple de la Gloire</em></strong> with Philharmonia Baroque Orchestra in San Francisco, and her début with Komische Oper Berlin to sing Armélite <strong><em>Zoroastre</em></strong>. Katherine will also give recitals at Lille Opera with Simon Lepper and at the Oxford Lieder festival with Sholto Kynoch.</p> <p>  </p> <p> <img alt="Alexis_kossenko__sanjaharris__dsc5535_-_copie-1474487195" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/351734/Alexis_Kossenko__SanjaHarris__DSC5535_-_copie-1474487195.jpg"></p> <p>  </p> <p> <strong>ALEXIS KOSSENKO, direction</strong></p> <p> « <em>Alexis Kossenko is a multi-skilled young genius whose career will take him where he wills. (...) Few conductors are so compelling to watch, whether by his players or we listeners, but there is no 'showing off' to impress an audience.</em> » (Musical Pointers)</p> <p>  </p> <p> Born in Nice, Alexis Kossenko performs as a soloist with <em>Deutsche Symphonie-Orchester Berlin, Stockholm Philharmonic Orchestra, Concerto Copenhagen, Ensemble Matheus, Philharmonie der Nationen, La Grande Ecurie et la Chambre du Roy, Stradivaria, Barokksolistene, B'Rock, Le Cercle de l'Harmonie, La Chambre Philharmonique, Modo Antiquo, Le Concert Lorrain, Holland Baroque Society, Helsinki Baroque Orchestra</em>, in a repertoire ranging from Vivaldi to Khachaturian including Mozart concertos on tour with Emmanuel  Krivine. He therefore recently performed in Berlin Philharmonie,  Stockholm Philharmonie, Wigmore Hall and Royal Albert Hall in London, Mozarteum Salzburg,  Théâtre des Champs-Elysées and Salle Gaveau in Paris, Opéra Royal and Chapelle Royale in Versailles, Ton-Halle in Zürich, Bruges and Amsterdam Concertgebouw.</p> <p>  </p> <p> Fine connaisseur of all the historical forms of his instrument, Alexis Kossenko plays as well on the modern flute (he was awarded from Conservatoire National Supérieur de Paris in the class of Alain Marion) as on baroque flute, classical and romantic flutes, or recorder.</p> <p>  </p> <p> <img alt="Alexis_sans-souci1-1475139920" height="259" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/353729/Alexis_Sans-Souci1-1475139920.jpg" width="389"></p> <p>  </p> <p> He was many years first flautist of La Chambre Philharmonique (dir. Emmanuel Krivine), Concert d'Astrée (Emmanuelle Haïm), Le Cercle de l'Harmonie (Jérémie Rhorer), Ensemble Matheus (dir . Jean-Christophe Spinosi), and is currently solo flautist of Orchestre des Champs-Elysées (dir. Philippe Herreweghe), Gli Angeli Genève (Stephan MacLeod), Le Concert Spirituel (Hervé Niquet).</p> <p>  </p> <p> He recorded flute concertos by Nielsen, Telemann, Haydn, Touchemoulin, and specially, for French label Alpha, the complete concertos by CPE Bach, Vivaldi concertos (Editor's Choice de Gramophone) and Charpentier leçons de ténèbres with baryton Stephan MacLeod. As a conductor, Alexis Kossenko was invited by European Union Baroque Orchestra, B'Rock, Le Concert d'Astrée, Holland Baroque Society, Arte dei Suonatori, Sinfonia Juventus ; But it is at the head of Les Ambassadeurs that he undertakes his most significant projects.</p> <p>  </p> <p> In 2015-2016, he directed 24 triumphal performances of Le Nozze di Figaro Figaro de Mozart. After a first invitation at the Warsaw Philharmonie to direct and perform a Mendelssohn / Reinecke programme, he was invited again in 2017 again to conduct Brahms' 4th symphony and violin concerto.</p> <p>  </p> <p> <img alt="Les_ambassadeurs__sanja_harris_small_-1474487279" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/351736/Les_Ambassadeurs__Sanja_Harris_small_-1474487279.jpg"></p> <p>  </p> <p> <strong>LES AMBASSADEURS</strong></p> <p>  </p> <p> <u><strong>Philosophy</strong></u></p> <p> Les Ambassadeurs et Alexis Kossenko concrétisent le rêve d’un orchestre européen réconciliant le jeu des instruments historiques avec un vaste répertoire jusqu’alors morcelé par les spécialisations. A la fois messagers sincères, interprètes passionnés et créateurs inspirés, ils ont pour mission un partage non élitiste de l’infinie palette d’émotions portée par l’expérience de la musique.</p> <p> Traçant leur voie à l’écart des dogmes, des modes et des écoles, Les Ambassadeurs poursuivent un idéal d’éloquence – où la grammaire des instruments d’époque, l’art rhétorique et l’instinct musical ne s’excluent pas l’un l’autre.</p> <p>  </p> <p> <u><strong>Repertoire</strong></u></p> <p> Parmi leurs différents projets, qui incluent un travail en profondeur sur Rameau, Purcell, Mozart et Rossini, Les Ambassadeurs accordent une place toute particulière à la redécouverte de la Hofkapelle de Dresde au temps de Bach ; qualifié alors de « plus bel orchestre du monde » pour sa discipline exemplaire, la virtuosité de ses instrumentistes, ses couleurs chatoyantes qui en font le premier orchestre « moderne », il était aussi un extraordinaire symbole européen où se côtoyaient des musiciens de toutes origines, et où furent cultivés les styles italiens, français et allemand qui donnèrent naissances aux « Goûts Réunis ».  Les Ambassadeurs et Alexis Kossenko se produisent dans toute l'Europe, à l'invitation de salles de concert et festivals prestigieux : Salle Gaveau, Opéra Royal de Versailles, Concertgebouw de Bruges, Vredenburg d'Utrecht, Biennale de Weimar, Mozartfest de Würzburg, Festivals de Beaune, de Pontoise, de Regensburg, de Paradyz, de Poznan, de Sofia, etc... Ils collaborent régulièrement avec des chanteurs de premier plan tels que Sabine Devieilhe, Anders Dahlin, Reinoud Van Mechelen, Francisco Fernandez Rueda, Blandine Staskiewicz ou encore Delphine Galou.</p> <p>  </p> <p> <u><strong>Discography</strong></u></p> <p> * VIVALDI : "<em>per l'orchestra di Dresda, vol.1</em>" (Alpha)</p> <p> * RAMEAU : "<em>Le Grand théâtre de l'Amour</em>" avec Sabine Devieilhe, soprano (Erato)</p> <p>      (Diapason d'Or de l'Année 2014, Diamant d'Opéra Magazine, Grand Prix de l'Académie Charles Cros...)</p> <p> * CPE BACH : Sonates en trio (Alpha)</p> <p> * <em>TEMPESTA</em> : Airs d'opéra de Vivaldi &amp; Haendel avec Blandine Staskiewicz, mezzo (Glossa)</p> <p> * TELEMANN : Ouvertures et Concertos (Alpha)</p> <p>      (Choc de Classica)</p> <p> * CANTUS : Bach, Vivaldi, Pergolesi, Allegri, Fauré, Barber, Tavener, avec Christian-Pierre La Marca, violoncelle (Sony).</p> <p>  </p> <p> <u><strong>Recent and upcoming activity</strong></u></p> <p> En 2015-2016, Les Ambassadeurs ont effectué une tournée Rossini avec Sabine Devieilhe, plusieurs concerts avec Blandine Staskiewicz et le projet “Tempesta”, et surtout une tournée triomphale de 24 représentations des Noces de Figaro (mise en scène de Galin Stoev).</p> <p> En 2016-2017, Les Ambassadeurs font leurs débuts au prestigieux Wigmore Hall à Londres, et se produisent aux Festivals de Saint-Riquier, Pontoise, Moulins / Allier (ClassicaMoulins), Midsommer Barock (Danemark), Feldkirchen (Autriche), Esterhaza (Hongrie) ; ils font l’ouverture des festivals de Potsdam et de Weimar (Allemagne) ; en outre ils seront en résidence à Paris (concerts salle Gaveau, salle Cortot, Théâtre Grévin, Oratoire du Louvre).</p> <p>  </p> <p> <img alt="Discographie_les_ambassadeurs_2016_-_copie-1474744931" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/352404/Discographie_LES_AMBASSADEURS_2016_-_copie-1474744931.jpg"></p> <p>  </p> <p> <strong>APARTE - CD LABEL</strong></p> <p> <strong>Nicolas Bartholomée, director</strong></p> <p>  </p> <p> <img alt="Aparte_-1474744524" src="https://d3v4jsc54141g1.cloudfront.net/uploads/project_image/image/352402/Aparte_-1474744524.jpg"></p>