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Ann Grim has been selected for this eighth edition of the 12X12 Festival.

A program rich in diversity, as much on the content as on the artists represented, with a large number of quality popular shows but also proposals from emerging artists whose work visual and audiovisual is beginning to be recognized nationally and internationally.

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H I D D E N __ R I G H T S

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At a time when art is used to proposing another way in the post-industrial era, what aesthetics to oppose censorship and self-censorship?

The questions relate to the rights and duties put in place: their foundations, the question of free will, the place and role of contemporary art, censorship, compromise or compromise in the history of cinema. Vision of Art in our current societies and what is the practice and creation for a contemporary artist.

This landscape of anticipation refers to works sidelined by society, to vandalism, to iconoclastic practices, but also to the destruction of a work by an artist and his motives: whether it is self-censorship, for a contesting purpose, or even artistic.

Starting from a theme that is part of history, marked by violence and brutality, echoes the news.

The viewer is in a landscape of anticipation at the heart of which the question of the imaginary is raised and where the aesthetics of the destruction is the plastic witness.

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A red and blue camouflage deformed, consisting of several active QR codes.

These links lead to Article 27 of the text of the Universal Declaration of Human Rights *.

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As well as excerpts from films and posters subject to censorship and self-censorship in the history of cinema:

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Clockwork Orange, Stanley Kubrick (1971) - Viridiana, Luis Bunuel (1961) - L'age d'or, Luis Bunuel (1961) - Salò o le 120 giornate di Sodoma, Pier Paolo Pasolini (1976) - Kill Bill: Vol. 1, Quentin Tarantino (2003) - Un Tramway nommé désir, Elia Kazan (1951) - Nuit et brouillard, Alain Resnais (1956) - La vie d'Adèle, Abdellatif Kechiche (2013) - L'essayeuse, John Thomas (pseudonyme choisi par Serge Korber (1975) - Et Dieu... créa la femme, Roger Vadim (1956) - Mad Max, George Miller (1979) - Ultimo Tango a Parigi, Bernardo Bertolucci (1972) - La grande bouffe, Marco Ferreri (1973) - The Last Temptation of Christ, Martin Scorsese (1988) - Scarface, Howard Hawks (1932) - Love, Gaspar Noé (2015) - Betty Boop, Studios Fleischer (1930-1939) - L’interview qui tue !, Seth Rogen et Evan Goldberg (2014) - The Great Dictator, Charlie Chaplin (1940) - Cannibal Holocaust, Ruggero Deodato (1980) - L'empire des sens, Nagisa Oshima (1976) - Броненосец «Потёмкин» (Le Cuirassé Potemkine), Sergei Mikhailovich Eisenstein (1925) - Koroshiya 1, Takashi Miike (2001) - Srpski film (a serbian film), Srdjan Spasojevic (2010) - 28 Days Later, Danny Boyle (2002) - Eraserhead, David Lynch (1978) - Batoru rowaiaru, Kinji Fukasaku (2000) - Pierrot le fou, Jean-Luc Godard (1965) - Ken Park, Larry Clark (2003)... .

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"Hidden Rights" de Ann Grim selectione au Festival 12x12